NB-Rag Bhimpalashree
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Shibuya Live Inn, Tokyo, Japan 2nd March 1998
Here's some -Blues-Indian Classical-Underground-'60's amazing gems from long time ago...
WANTED:
Shibuya Live Inn, Tokyo, Japan 2nd March 1998
There are no longer 'dancers', the possessed.
The cleavage of men into actor and spectators
is the central fact of our time. We are obsessed
with heroes who live for us and whom we punish.
If all the radios and televisions were deprived
of their sources of power, all books and paintings
burned tomorrow, all shows and cinemas closed,
all the arts of vicarious existence...
We are content with the 'given' in sensation's
quest. We have been metamorphosised from a mad
body dancing on hillsides to a pair of eyes
staring in the dark.
J.D.M.
The cleavage of men into actor and spectators
is the central fact of our time. We are obsessed
with heroes who live for us and whom we punish.
If all the radios and televisions were deprived
of their sources of power, all books and paintings
burned tomorrow, all shows and cinemas closed,
all the arts of vicarious existence...
We are content with the 'given' in sensation's
quest. We have been metamorphosised from a mad
body dancing on hillsides to a pair of eyes
staring in the dark.
J.D.M.
10 comments:
Thanks in advance for this NB music.
Best to you
M
thanks for posting...sound quality is top notch
This is my favorite NB recording. Extremely moving.
Hi, Love your blog, but please please please could you give more info about the recordings? Is Part 1 & 2 of your post the same as "Afternoon Ragas" Rotterdam 1970? There is a lot of great stuff you post, but people searching for particular recordings would never find them because there arn't too many details.
Neelkanth, India.
Namaste, as far as I know I didn't post any duplicates. Sometimes I have no info at all. But then again I only care for the music, just listen and enjoy! A fellow (sitar) student wanted to share his collection of tapes, so stay tuned for the next few months...
Hi thanks for replying. I did not mean that you posted a duplicate post. I meant to ask whether these two posts of yours (part 1 and 2) which have bhimpalashri and multani are from the album "afternoon ragas rotterdam 1970". Because the album has the same two ragas on it. Anyhow i think not, because the album songs seem to be a bit lengthier than the ones you have posted. Anyhow great music, and I understand your comment about just enjoying the music. I fully agree, but some of us like to be a little more finicky about the details, what can we do? :P
Thanks for your posts again,
Neelkanth, India.
आपका स्वा
Im going to bore you a bit. I think you meant "aapka swagat hai", but it only came as "aapka swa". Literally aapka swagat hai does mean 'you are welcome', but only in the sense of welcoming someone in your home. Actually such hindi would be used only in the proper hindi speaking belts of india. Generally in the metros they are considered too literary and archaic for colloquial use. For instance "namaste" would be used only when you go to meet a hindi speaking family and that too elderly people, or with people who absolutely cannot speak english. Hello or hi is far more common. Its usually amusing when a foreigner first comes to india and greets people with folded hands and says namaste in an effort to "gel in". Couldnt do worse actually. Cheers,
Neelkanth
Ha,ha,ha
I used googletranslate, doesn't do the job so have to be more careful next time.
Those English really messed things up over there, driving on the wrong side of the road etc.(just jokin')
greetings,
Henry
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